MUSIC AND MIND — A THEORY OF AESTHETIC DYNAMICS

Brian D. Josephsona and Tethys Carpenterb Note: this material is subject to copyright restrictions and may not be used for for any commercial purpose without the permission of the copyright owner. If it is transmitted, copied or printed, then this notice, any other information herein relating to copyright, and author and publisher names, must be included in the derivative material (except for the case of brief quotes for the purposes of review or research).   ABSTRACT It is argued that purely perceptual or generative accounts of music are inadequate to account for its specificity, and that proper accounts of music must take into account also a more fundamental level of the mind (or of consciousness), a level we term the ‘aesthetic subsystem’. The latter constitutes a domain of universality and of […] Read More

Get Rhythm – Drumming Technique

By Robert Lawrence Friedman When Ginger Graziano lost her 19-year-old son to cancer, a tsunami of grief poured over her, leaving her in a seething, inarticulate depression. Without a way to express her anguish, she says, the pain became unbearable. Then one day she heard a drum beat from a nearby meadow and felt an immediate, visceral response. Although she had never played any kind of drum before, she went right out and bought one’a djembe, an African drum. Some instinct told her that whatever she needed to heal, she could access by drumming. The first time she sat down and began to beat on the drum, she felt the naked ferocity of anger pouring through her hands. Over time, however, anger gave way to […] Read More