Brian D. Josephsona and Tethys Carpenterb Note: this material is subject to copyright restrictions and may not be used for for any commercial purpose without the permission of the copyright owner. If it is transmitted, copied or printed, then this notice, any other information herein relating to copyright, and author and publisher names, must be included in the derivative material (except for the case of brief quotes for the purposes of review or research). ABSTRACT It is argued that purely perceptual or generative accounts of music are inadequate to account for its specificity, and that proper accounts of music must take into account also a more fundamental level of the mind (or of consciousness), a level we term the ‘aesthetic subsystem’. The latter constitutes a domain of universality and of […] Read More